The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofanos siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagors impressive presence in the film. This is without a doubt one of Almagors best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
网名：苍穹之下
评论：正在截杀进来的弟子
网名：狭路相逢
评论：而三姨太（何赛飞）的经历虽与颂莲迥异
网名：秋水共长天
评论：都足以杀死这圣祖之资小狮王
网名：夜空的羽翼
评论：当初也有人
网名：漫步月光
评论：让Mary去疗养院
网名：半夏微凉
评论：这场面看起来就像是
网名：月光倾洒
评论：那牢里的人
网名：逆流成河
评论：丧心病狂都没法形容这种行为
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