A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
网名:狭路相逢
评论:他一向很有耐心
网名:月光倾洒
评论:亦有粗壮有力的身躯
网名:隐匿在风中
评论:青玉大师心中被巨大的恐惧所笼罩
网名:隐入尘烟
评论:李远康眼前一亮
网名:一叶知秋
评论:白夜开始嘲讽
网名:微光成海
评论:可是多次恋爱失败后令他气馁
网名:一世沧桑
评论:你在这逗我玩儿呢
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