To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
网名：枫叶飘落
评论：以她还没到神阳王境的境界
网名：逍遥游
评论：其他人都还困在太一塔第一层
网名：清风拂面
评论：秦家收留了林霄这个又残疾又傻的废物
网名：远方的灯塔
评论：这也和两人的经历息息相关
网名：一抹微笑
评论：他们已经打败了星悦
网名：天空之城
评论：一个活生生的人间
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