The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofanos siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagors impressive presence in the film. This is without a doubt one of Almagors best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
网名：蓝色海洋
评论：蒋琛倒了牛奶给她
网名：一世倾城
评论：用血神契约签的伴生兽
网名：风起云涌
评论：那是枷锁
网名：隐形的翅膀
评论：这两人脸色又青又红
网名：一梦千年
评论：我确实想和你合作
网名：寒风吹雪
评论：背井离乡的罗伯塔来到全国最乱的纽约东哈林区
网名：清风拂过
评论：除了万一之外
《芳心封鎖》全集HD1080P视频大全 - 奇奇影视www.yiyibd.com
